MENU
Menu
2016 Kenderdine, Sarah and Jeffrey Shaw: “A digital legacy for Living Culture”, 300 Years of Hakka Kung Fu: Digital Vision of its Legacy and Future, Eds. Chao, Hing, Jeffrey Shaw, Sarah Kenderdine, International Guoshu Association, Hong Kong, 2016, pp. 165-189.
300 Years of Hakka Kung Fu: Digital Vision of its Legacy and Future, Eds. Chao, Hing, Jeffrey Shaw, Sarah Kenderdine, International Guoshu Association, Hong Kong, 2016.
Greuter, Stefan, Sarah Kenderdine and Jeffrey Shaw: “Pure Land UNWIRED: New Approaches to Virtual Reality for Heritage at Risk”, Creative Technologies for Multidisciplinary Applications, Eds. Connor, Andy M. and Stefan Marks, IGI Global, Hershey, PA, March 2016, pp. 76-98.
2014 Kenderdine, Sarah and Jeffrey Shaw: “A Cultural Heritage Panorama: Trajectories in Embodied Museography”, Digital Heritage and Culture: Strategy and Implementation, Eds. Din, Herminia, Steven Wu, World Scientific Publishing Company, December 2014, pp. 197-218.
Shaw Jeffrey, Harold Thwaites and Sarah Kenderdine: “Preface”, in: Proceedings of the 2014 International Conference on Virtual Systems and Multimedia, VSMM 2014, June 2014, pp. V-VI.
Kenderdine, Sarah, Leith Kin Yip Chan and Jeffrey Shaw: “Pure land: Futures for embodied museography”, in: Journal of Computing and Cultural Heritage, ACM, Vol. 7, No. 2, July 2014, pp. 1 -15.
2013 Kenderdine, Sarah, Leith Kin Yip Chan and Jeffrey Shaw: “Spatial user interface for experiencing mogao caves”, in: SUI 2013 – Proceedings of the ACM Symposium on Spatial User Interaction, 2013, pp. 21-24.
2012 Shaw, Jeffrey: “New-media art and the renewal of the cinematic imaginary”, in: Technoetic Arts: A Journal of Speculative Research, Vol. 10, No. 2/3, 2012, pp. 173-177.
Kenderdine, Sarah, Jeffrey Shaw, and Tobias Gremmler: “Cultural Data Sculpting: Omnidirectional Visualization for Cultural Datasets”, in: Knowledge Visualization Currents: From Text to Art to Culture, Eds. Marchese, Francis T and Ebad Banissi, Springer-Verlag, London, 2012, pp. 199-220.
Kenderdine, Sarah and Jeffrey Shaw: “Making UNMAKEABLELOVE: The relocation of theatre”, in: Bastard or Playmate? Adapting Theatre, Mutating Media and Contemporary Performing Arts, Eds. Vanderbeeken, Robrecht, Christel Stalpaert, David Depestel, and Boris Debackere, Amsterdam University Press, Amsterdam, 2012, pp. 102-120.
2011 Shaw, Jeffrey, Sarah Kenderdine, and Roderick Coover: “Re-place: The Embodiment of Virtual Space”, in: Switching Codes: Thinking Through Digital Technology in the Humanities and the Arts, Eds. Bartscherer, Thomas and Roderick Coover, University of Chicago Press, Chicago/London, 2011, pp. 218-237.
Kenderdine, Sarah, Oscar Kin Chung Au and Jeffrey Shaw: “Cultural data sculpting: Omnispatial visualization for cultural datasets”, in: Proceedings of the International Conference on Information Visualisation, 2011, pp. 570-579.
2009 Kenderdine, Sarah, Jeffrey Shaw, Anita Kocsis: “Dramaturgies of PLACE: evaluation, embodiment and performance in PLACE-Hampi”, in: Proceedings of the International Conference on Advances in Computer Enterntainment Technology, ACE ’09, Eds. ACM Special Interest Group on Computer-Human Interaction, ACM, New York, 2009, pp. 249-256.
Kenderdine, Sarah, Jeffrey Shaw: “New media in situ: The re-socialisation of public space”, in: International Journal of Arts and Technology, Vol. 2, No. 4, 2009, pp. 258-276.
Kuchelmeister, Volker, Jeffrey Shaw, Matthew McGinity, Dennis G. Del Favero and Ardrian Hardjono: “Immersive mixed media augmented reality applications and technology”, in: Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), Vol. 5879, 2009, pp. 1112-1118.
Kenderdine, Sarah, Jeffrey Shaw, Dennis G. Del Favero, Neil Brown: “UNMAKEABLELOVE: Gaming technologies for the cybernetic theatre Re-Actor”, in: ACM International Conference Proceeding Series, 2009, pp. 362-365.
2008 Kenderdine, Sarah, Jeffrey Shaw, Anita Kocsis: “Place-hampi: Co-evolutionary narrative and augmented stereographic panoramas, Vijayanagara, India”, in: New Heritage: New Media and Cultural Heritage, Routledge, London/New York, November 2008, pp. 275-293.
2007 McGinity, M., Shaw, J., Kuchelmeister, V., Hardjono, A. & Del Favero, D.: “AVIE: A Versatile Multi-User Stereo 360° Interactive VR Theatre”, in: Proceedings of the 2007 Workshop on Emerging Displays Technologies: Images and Beyond: the Future of Displays and interaction (San Diego, California, August 04 – 04, 2007), ACM Press, New York, Vol. 252, 2007.
Del Favero, Dennis, Neil Brown, Jeffrey Shaw, and Peter Weibel: “Experimental Aesthetics and Interactive Narrative”, in: ACUADS conference, UNSW, September 27, 2007.
2006 Shaw, Jeffrey: “Meaningful interfaces in immersive environments”, in: International Conference on Intelligent User Interfaces, Proceedings IUI, Vol. 2006, 2006, pp. 10-11.
2005 Del Favero, Dennis, Neil Brown, Jeffrey Shaw, and Peter Weibel: “T_Visionarium: the aesthetic transcription of televisual databases”, in: »Present Continuous Past[s]« Media Art. Strategies of Presentation, Mediation and Dissemination, Eds. Frohne, Ursula, Mona Schieren, Jean-François Guiton, Springer-Verlag, Wien, 2005, pp. 132-141.
Del Favero, Dennis, Neil Brown, Jeffrey Shaw, and Peter Weibel: “T_Visionarium: Towards A Dialogic Concept of Digital Narrative”, in: Disappearing Architecture: From Real to Virual to Quantum, Eds. Beigl, Michael, Georg Flachbart, and Peter Weibel, Birkhäuser, Basel/Boston, 2005, pp. 144-151.
2004 Cinemas of the Future, Ed. Castelli, Richard, Lille 2004 Capitale Europeenne de la Culture, 2004, pp. 50-53, 56, 57, 78, 79.
2003 Del Favero, Dennis, Neil Brown, Jeffrey Shaw, and Peter Weibel: “Interactive Narrative as a Multi-Temporal Agency”, in: Future Cinema. The Cinematic Imaginary after Film, Eds. Shaw, Jeffrey and Peter Weibel, ZKM Karlsruhe and MIT Press, Cambridge, Massachusetts, 2003, pp. 312-315.
Shaw, Jeffrey: “Introduction”, in: Future Cinema. The Cinematic Imaginary after Film, Eds. Shaw, Jeffrey and Peter Weibel, ZKM Karlsruhe and MIT Press, Cambridge, Massachusetts, 2003, pp. 19 – 27.
2002 Shaw, Jeffrey: “Movies after Film – The Digitally Expanded Cinema”, in: New Screen Media: Cinema/art/narrative, Eds. Rieser, Martin and Andrea Zapp, ZKM Karlsruhe and British Film Institute, London, 2002, pp. 268-275.
Shaw, Jeffrey: “Medienkünstler müssen gute Netzwerker sein”, in: Web of Life. Die Kunst vernetzt zu leben (Web of Life. Linking Art and Science), Ed. Gleich, Michael, Hoffmann und Campe, Hamburg, 2002, pp. 288-295.
2001 Shaw, Jeffrey: “The Legible City. 1988 – 1991”, in: Im Buchstabenfeld. Die Zukunft der Literatur, Eds. Weibel, Peter, Neue Galerie Graz, Graz, 2001, pp. 387-398.
2000 Shaw, Jeffrey: “Media Art and Interactive Cinema”, in: Screen-Based Art, Series of Philosophy of Art Theory, Vol. 15, Eds. Balkema, Annette W. and Henk Slager, Lier en Boog, Amsterdam, 2000, pp. 148-156.
1999 Shaw, Jeffrey: “Interactive Computer Graphics: a Meeting Between Artists and Scientists”, in: Art and Society, Topical questions: the new technologies, funding and artistis education, UN Educational, Scientific and Cultural Organization, Paris, 1999, pp. 87-91.
1998 Shaw, Jeffrey: “Convergence of Art, Science and Technology?”, in: [email protected], Eds. Sommerer , Christa and Laurent Mignonneau, Springer, 1998, pp. 162-166.
1997 Shaw, Jeffrey: “The Dis-Embodied Re-Embodied Body”, in: New Ideas in Science and Art, Final Acts of the Prague Conference 19-23.11.1996, Council of Europe, Strasbourg, France, 1997, pp. 50-56.
1996 Shaw, Jeffrey: “Der entkörperte und wiederverkörperte Leib”, in: Kunstforum. Die Zukunft des Körpers I, Vol. 132, November 1995-Januar 1996, pp. 168-171.
1993 Shaw, Jeffrey: “Modalities of Interactivity and Virtuality”, in: Artistic Exchange. Akten des XXVIII. Internationalen Kongresses für Kunstgeschichte Berlin, 15.-20. Juli 1992, Ed. Gaehtgens, Thomas W., Akademie Verlag, Berlin, 1993, pp. 295-300.
Shaw, Jeffrey: “Virtuelle Räume im Reich der Sinne”, in: Kultur und Technik im 21. Jahrhundert, Eds. Kaiser, Gert, Dirk Matejovski, and Jutta Fedrowitz, Campus Verlag, Frankfurt/New York, 1993, pp. 329-334.
Shaw, Jeffrey: “Reisen in virtuelle Realitaten”, in: Cyberspace. Zum medialen Gesamtkunstwerk, Eds. Rötzer, Florian and Peter Weibel, Boer, München, 1993, pp. 317-332.
Shaw, Jeffrey: “Modalities of Interactivity and Virtuality”, in: Scan+. Electronic Media Arts, Ed. Conomos, John, Vol. 4, 1993, pp. 19-20.
1992 Shaw, Jeffrey: “Virtual Reality: A new medium for the artist?”, in: Virtual Reality International 92, Impacts and Applications, Ed. Feldman, Tony, Meckler, London, 1992, pp. 65-68.
1991 Shaw, Jeffrey: “Le Musée Virtuel”, in: Art press spécial: Nouvelles Technologies un Art sans Modele?, Art Press, Paris, No. 12, 1991, p. 175.
1988 Shaw, Jeffrey and Tjebbe van Tijen: “Un Musée Imaginaire de la Revolution”, in: Mediamatic, Vol. 2, No. 4, 1988.
1986 Shaw, Jeffrey: “The Narrative Landscape”, in: Museumsjournal, No. 6, Spring 1986, pp. 64-65.
1984 Shaw, Jeffrey: “Concerning Heaven, Hell and Earthly Delights”, 1984.
1980 Eventstructure Research Group: “Art and Technology: some Notes on Our Position at the Present Time”, 1980.
Stichting Current Image: “Concept for the Stichting Current Image”, 1980.
Eventstructure Research Group: “Stichting Stroombeeld: Concept”, 1980.
1974 “Eventstructure Research Group”, in: Mewspaper, Royal College of Art, No. 22, April-May 1974, pp. 3-4.
1972 Botschuiver, Theo, Jeffrey Shaw: “Eventstructures”, in: Proceedings: International Symposium on Pneumatic Structures, Ed. Stichting P.D.O.B., Delft Universitity of Technology, Delft, The Netherlands, 1972.
1970 “Tube over the Maschsee”, in: Studio International, Vol. 180, No. 928, December 1970, p. 253.
“Events”, in: Architectural Design, May 1970, p. 226.
1969 Botschuiver, Theo, Jeffrey Shaw: “Eventstructure Research Group”, in: Studio International, Vol. 178, No. 916, November 1969, p. 183.
Shaw, Jeffrey: “Concepts for an Operational Art”, in: Art and Artists, No. 10, January 1969, pp. 47-49.
1968 Botschuiver, Theo, Jeffrey Shaw and Sean Wellesley-Miller: “Structure Gonflables et Participation”, in: RHOBO, Spring 1968.