2019	Asia Digital Art Exhibition, Ed. ADAE Team, May 2019, pp. 49-52.
	Jeffrey Shaw: Passé augmenté x Présent augmenté, Ed. Centre des arts d’Enghien-les-Bains, Les Presses du réel, Dijon, April 2019.
2018	Lingnan Hung Kuen Across the Century: Kung Fu Narratives in Cinema and Community, Ed. Chao, Hing, City University of Hong Kong Press, Hong Kong, 2018.
2017	Wang Delu and the Tongan Ship, Eds. Zhou, Weiqiang, Chen-Wo Kuo, Shao-Chun Wu, National Palace Museum, Taipei, 2017, pp. 198-199.
	The Age of Experience: Hong Kong – Vienna. Exhibition Strategy & Reflection, Ed. Kraemer, Harold, Triton, Barcelong / Hong Kong / Vienna, 2017, pp. 135-137.
2016	Digital Synesthesia/ A Model for the Aesthetics of Digital Art, Eds. Gsöllpointner, Katharina, Ruth Schnell and Romana Karla Schuler, De Gruyter, Berlin/Boston, 2016, pp. 81-84, 148-149.
	300 Years of Hakka Kung Fu: Digital Vision of its Legacy and Future, Eds. Chao, Hing, Jeffrey Shaw, Sarah Kenderdine, International Guoshu Association, Hong Kong, 2016.
	Unfolding Time and Space: Jeffrey Shaw and Hu Jieming Twofold Exhibition, Ed. Sanderson, Edward, China Academy of Art press, Hangzhou, June 2016.
	No References: A Revisit of Hong Kong Video and Media Art from 1985, Videotage, Hong Kong, 2016, p. 40.
	Digital Synthesia, Ed. Schnell, Ruth, Universität f. angewandte Kunst Wien, Vienna, 2016, pp. 8-9.
2015	Rebuilding the Tong-an Ships: New Media Art Exhibition, Eds. Liu, Quo-ping, et al, National Palace Museum, Taipei, 2015, pp. 28-29.
2013	This Slow, That Fast – Animamix Biennale 2013-14, Hong Kong, 2013, pp. 27-29.
2012	9th Shanghai Biennale REACTIVATION, Eds. Xu, Jiang, et al, Shanghai, 2012, pp. 290-293, 376-379.
	The Individual and the Organisation: Artist Placement Group 1966-79, Raven Row, London, 2012, p. 13.
	Digital Art Works – the Challenges of Conversation, Ed. Camia, Marchini Chiara, ZKM, Karlsruhe, 2012, pp. 48-51.
2011	Matière-lumière, Ed. Castelli, Richard, Epidemic, Sevran, 2011, pp. 128-131, 146-153.
	One World Exposition, Ed. Lee, Wing Ki, Videotage, Hong Kong, 2011, pp. 18-19.
2009	Haritasız: Medya Sanatlarinda Kullanici C̦erc̦eveleri, Eds. Atif, Ahmet, et al, Santralistanbul, Istanbul, 2009, pp. 150-153.
2008	Urbanized Landscape: Shanghai eArts Festival, Eds. Shen, Gen Lin, et al, Shanghai, 2008, pp. 110-117, 120-125, 138-145.
	From Flash to Pixel – International New Media Exhibitio, Ed. Shen, Qibin, Shanghai Zendai Museum of Modern Art, Shanghai, 2008, pp. 27-28.
2006	Glaskultur, Eds. Peran, Martí and Maurici Pla, Ajuntament de Lleida, Centre d’Art la Panera, Lleida, 2006, pp. 40-43.
2005	A Short History of Dutch Video Art, Ed. López, Sebastián, Episode Publishers, Rotterdam, 2005, pp. 124-127.
	Art Meets Media : Adventures in Perception, Ed. Sumitomo, Fumihiko, et al, NTT InterCommunication Center, Tokyo, 2005, pp. 44-47.
2004	Cinémas du futur, Ed. Esteves, Mélanie, 2004, pp. 50-51, 56-57, 78-79.
	Invisibile, Ed. Quinz, Emanuele, Gli ori, Siena, 2004, pp. 158-161.
2003	Future Cinema : the Cinematic Imaginary after Film, Eds. Shaw, Jeffrey and Peter Weibel, MIT Press, Cambridge, Mass, 2003, pp. 376-389.
	Information is Alive, Eds. Brouwer, Joke and Arjen Mulder, NAi Publishers, Rotterdam, 2003, pp. 138-141.
2002	Moist : MAAP in Beijing 2002, Ed. Kim, Machan, He Bei Education Publishing House, Shijiazhuang, 2002, pp. 60-61.
	Emoção Art.ficial, Itaú Cultural, São Paulo, 2002, pp. 56-61.
2001	Im Buchstabenfeld : Die Zukunft Der Literatur, Ed. Weibel, Peter, Neue Galerie Graz, Graz, 2001, pp. 387-398.
	(Dis)locations, Ed. Sommer, Astrid, Hatje Cantz, Ostfildern, 2001, pp. 74-83.
2000	Himmelfahrt, Eds. Giloy-Hirtz, Petra and Peter Bernhard Steiner, Hatje Cantz, Ostfildern-Ruit, 2000, pp. 160-163.
	Vision and Reality : Conceptions of the 20th Century, Ed. Kjeldsen, Kjeld, Louisiana Museum for Moderne Kunst, Humlebæk, 2000, pp. 48-49.
1999	Zeichenbau – Real Virtualities, Ed. Blunck, Annika and ZKM, Künstlerhaus, Vienna, 1999, p. 25.
1998	Surrogate 1, Ed. Blunck, Annika and ZKM, ZKM, Karlsruhe, 1998, pp. 1-2,15-16, 27-28.
	Multimedia Art. Beyond the new millenium smile, 98 Kyongju World Culture Expo, 1998, pp. 72-77.
1997	Interact! Schlüsselwerke Interaktiver Kunst, Wilhelm Lehmbruck Museum Duisburg, 27.4.-15.6.1997, Cantz Verlag, Ostfildern, 1997, pp. 68-73.
	Arte Virtual Realidad, Plural Museo de Monterrey, Primera Edicion, Monterrey, 1997, pp. 50-53.
1996	Artifices 4, Ed. Direction des affaires culturelles de la ville de Saint-Denis, Saint-Denis, 1996, pp. 14-27.
	Photography after Photography. Memory and Representation in the Digital Age, Eds. von Amelunxen, Hubertus, Stefan Iglhaut, and Florian Rötzer, Munich, 1996, pp. 260-265.
	Mediascape, Ed. The Solomon R. Guggenheim Foundation, New York, 1996, pp. 46-49.
	Under Capricorn – The World Over, Eds. Curnow, Wystan and Dorine Mignot, Stedelijk Museum Amsterdam, Amsterdam, 1996, pp. 76-77.
1995	3e biennale d’art contemporain de lyon. installation, cinéma, vidéo informatique, Ed. Réunion de musées nationaux, Biennale d’Art contemporain, Paris, 1995, pp. 180-181.
	MultiMediale 4, Ed. ZKM Karlsruhe, Heinrich Klotz, Karlsruhe, 1995, pp. 28, 52.
	Sedicesima Biennale Internazionale del Bronzetto Piccola Scultura Padova ’95, Ed. Commune di Padova, Padova, 1995, p. 227.
	Arslab. I sensi del Virtuale, Eds. Faure, Claude, Maria Grazia Mattei, and Franco Torriani, Milan, 1995, pp. 48-49.
	Art and Electronics, Ed. Brasil, Beatriz, European Working Group for Culture, Hong Kong, 1995, pp. 22-23.
	The Interaction ’95, IAMAS Project Planning Office, Gifu, 1995, pp. 12-15.
1994	Ars Electronica ’94: Intelligent Environment, Eds. Gerbel, Karl and Peter Weibel, Vienna, 1994, pp. 84-86.
	Virtual Museum: Interzone ’93, in: InterCommunication, No. 7, Winter, January 1994, p. 57.
	Arte Virtual, Doce propuestas de Arte Reactivo, Ed. Lozano-Hemmer, Rafael, Madrid, 1994, pp. 58-61.
	Video-Skulptur in Deutschland seit 1963, Eds. Herzogenrath, Wulf and Anja Osswald, Institut für Auslandsbeziehungen, Bonn, 1994, pp. 80-83.
1993	Binaera: 14 Interaktionen – Kunst und Technologie, Ed. Stoos, Toni, Kunsthalle, Wien, 1993.
	InterCommunication ’93: Media Passage, Ed. InterCommunication Center, Tokyo, 1993, pp. 23-63.
	Der entfesselte Blick, Ed. Lischka, Gerhard Johann, Bern, 1993, pp. 48-51.
	MultiMediale 3, ZKM Karlsruhe, Heinrich Klotz, Karlsruhe, 1993, pp. 54-55.
	De Kracht van Heden, Ed. Wolters, Hester, Kirsten Algera, et al, Stichting Fonds voor Beeldende kunsten, Vormgeving en Bouwkunst, Amsterdam, 1993, pp. 245-250.
1992	Moving Image – Electronic Art, Ed. ZKM Karlsruhe, Fundació Joan Miró, Munich-Stuttgart, 1992, pp. 144-146.
	Ars Electronica ’92: The World from Within – Endo & Nano, Eds. Gerbel, Karls, Peter Weibel, Linz, 1992, pp. 105-109.
	The Boundary Rider. 9th Biennale of Sydney, Ed. The Biennale of Sydney Ltd, Anthony Bond, Sydney, 1992, pp. 212-213.
	Outer Space, Ed. The South Bank Centre, London, 1992, pp. 20-21.
	Wasteland. Landscape from now on, Eds. Fotografie Biennale Rotterdam, Frits Gierstberg, Bas Vroege, et al., Rotterdam, 1992, pp. 64-65.
	The Robots. Man & Machine at the End of the 20th Century, Ed. Patric Prince Archive, Japan, 1992, pp. 30-33.
	L’Ère Binaire: Nouvelles Interactions, Eds. Hirsch, Charles and Michel Maudson, Ludion, Bruxelles, 1992.
1991	MultiMediale 2, Ed. ZKM Karlsruhe, Heinrich Klotz, Karlsruhe, 1991, pp. 67-70.
1990	Vom Verschwinden der Ferne. Telekommunikation und Kunst, Eds. Decker, Edith, Peter Weibel, Cologne, 1990.
	Time Space Light, Ed. Academie Minerva, Groningen, 1990, pp. 24-25.
	Der Prix Ars Electronica, Ed. Leopoldseder, Hannes, Linz, 1990, pp. 184-187.
	l’immagine elettronica. HI TÉX NE, Ferrara, 1990, pp. 18-19.
	Imago. Fin De Siècle in Dutch Contemporary Art, in: Mediamatic, Vol. 5, No. 1/2, 1990, pp. 70-71.
	Artifices, Ed. Direction des affaires culturelles de la ville de Saint-Denis, Saint-Denis, 1990, pp. 42-43.
	Individuele Subsidies, Eds. Jansen, Cilly, Mayke Jongsma, Stichting Fonds voor Beeldende kunsten, Vormgeving en Bouwkunst, Amsterdam, 1990, p. 289.
	Artware : Kunst und Elektronik, Eds. Galloway, David, et al, Hannover Deutsche Messe AG, Hannover, 1990.
1989	Im Netz der Systeme. Für eine interaktive Kunst: Ars Electronica, in: Kunstforum, Vol. 103, September-October 1989, pp. 204-209.
	Wonderland of Science Art, Ed. Committee for Kanagawa International Art & Science Exhibition, Kanagawa, 1989, pp. 16-17.
	Computer art in context: Siggraph ’89 Art Show, in: Leonardo, Supplemental Issue, 1989, p. 103.
	Artec ’89, Ed. The Chunichi Shimbun, Nagoya, 1989, pp. 46-47.
	Tekens van verzet, in: Beeld, Tijdschrift voor kunst, kunsttheorie en kunstgeschiedenis, Vol. 4, No. 1/2, January 1989, p. 69.
	Individuele Subsidies, Ed. Jongsma, Mayke, Cilly Jansen, Gert Staal, Stichting Fonds voor Beeldende kunsten, Vormgeving en Bouwkunst, 1989, p. 224.
	Video-Skulptur retrospektiv und aktuell 1963-1989, Eds. Herzogenrath, Wulf, Edith Decker, Cologne, 1989, pp. 281-282.
1988	The Third Australian Video Festival Catalogue, in: Scan+, Vol. 1, 1988, pp. 46-47.
	Het Postmoderne: aan Kinderen verklaard, Bonnefantenmuseum, Maastricht, 1988, p. 43.
1987	Stipendia ’85-’86, Eds. Hilhorst, Cees and Sjarel Ex, Stichting Onafhankelijk Kunsthistorisch Onderzoek, Amsterdam, 1987, p. 47.
1986	Jeffrey Shaw. Going to the Heart of the Center of the Garden of Delights, Ed. de Vleeshal, Middelburg, 1986.
1979	Actie, Werkelijkheid en Fictie in de Kunst van de Jaren ’60 in Nederland, Ed. Boymans-van-Beuningen Museum, Rotterdam, 1979, p. 113.
1975	9e biennale de paris, Paris, 1975.
1972	11 Weken Buitenspel. kind en leefmilieu, Ed. Stichting Nederlands Instituut voor Kinderstudie, The Hague, 1972, p. 18.
1971	Sonsbeek buiten de perken, Arnheim, 1971, pp. 40-43.
1969	Six Events in Amsterdam, Ed. Stedelijk Museum, Amsterdam, 1969.
1968	Structures Gonflables, Eds. ARC/Musée d’Art Moderne de la Ville de Paris, Paris, 1968, pp. 98-99.