2019	Lo, Patrick, Holly H.Y. Chan, Angel W.M. Tang, Dickson K.W. Chiu, Allan Cho, Eric W.K. See-To, Kevin K.W. Ho, Minying He, Sarah Kenderdine and Jeffrey Shaw: “Visualising and revitalising traditional Chinese martial arts: Visitors’ engagement and learning experience at the 300 years of Hakka Kungfu”, in: Library Hi Tech, Emerald Publishing, Bingley, Vol. 37, No. 2, June 2019, pp. 273-292.
2018	Chao, Hing, Matt Delbridge, Sarah Kenderdine, Lydia Nicholson, Jeffrey Shaw: “Kapturing Kung Fu: Future Proofing the Hong Kong Martial Arts Living Archive”, Digital Echoes, Eds. Whatley, Sarah, Rosamaria K. Cisneros, Amalia Sabiescu, Palgrave Macmillan, Cham, 2018, pp. 249-264.
	Kenderdine, Sarah and Jeffrey Shaw: “The Muselogical Re-enactment of Lingnan Hung Kuen”, Lingnan Hung Kuen Across the Century: Kung Fu Narratives in Cinema and Community, Ed. Chao, Hing, City University of Hong Kong Press, Hong Kong, 2018, pp. 137-159.
	Greuter, Stefan, Sarah Kenderdine and Jeffrey Shaw: “Pure Land UNWIRED: New Approaches to Virtual Reality for Heritage at Risk”, Virtual and Augmented Reality: Concepts, Methodologies, Tools, and Applications, Ed. Information Resources Management Association, IGI Global, Hershey, PA, March 2018, pp. 1679-1701.
2017	Shaw, Jeffrey, Sarah Kenderdine and Hing Chao: “Establishing a Permanent Kung Fu Museum in Hong Kong”, Inside the World’s Major East Asian Collections: One Belt, One Road, and Beyond, Eds. Lo, Patrick, Dickson KW Chiu and Allan Cho, Chandos Publishing, Cambridge, United States/Kidlington, UK, May 2017, pp. 343-354.
	Kenderdine, Sarah and Jeffrey Shaw: “Archives in Motion: Motion as Meaning”, Museum and Archive on the Move: Changing Cultural Institutions in the Digital Era, Ed. Grau, Oliver, De Gruyter, Berlin, September 2017, pp. 211-233.
	Kenderdine, Sarah and Jeffrey Shaw: “The Conjunction of New Media Art and Chinese Cultural Heritage”, Minding the Digital, Ed. Design Society, Tongji University Press, Shanghai, November 2017, pp. 126-135.
2016	Kenderdine, Sarah and Jeffrey Shaw: “A digital legacy for Living Culture”, 300 Years of Hakka Kung Fu: Digital Vision of its Legacy and Future, Eds. Chao, Hing, Jeffrey Shaw, Sarah Kenderdine, International Guoshu Association, Hong Kong, 2016, pp. 165-189.
	300 Years of Hakka Kung Fu: Digital Vision of its Legacy and Future, Eds. Chao, Hing, Jeffrey Shaw, Sarah Kenderdine, International Guoshu Association, Hong Kong, 2016.
	Greuter, Stefan, Sarah Kenderdine and Jeffrey Shaw: “Pure Land UNWIRED: New Approaches to Virtual Reality for Heritage at Risk”, Creative Technologies for Multidisciplinary Applications, Eds. Connor, Andy M. and Stefan Marks, IGI Global, Hershey, PA, March 2016, pp. 76-98.
2014	Kenderdine, Sarah and Jeffrey Shaw: “A Cultural Heritage Panorama: Trajectories in Embodied Museography”, Digital Heritage and Culture: Strategy and Implementation, Eds. Din, Herminia, Steven Wu, World Scientific Publishing Company, December 2014, pp. 197-218.
	Shaw Jeffrey, Harold Thwaites and Sarah Kenderdine: “Preface”, in: Proceedings of the 2014 International Conference on Virtual Systems and Multimedia, VSMM 2014, June 2014, pp. V-VI.
	Kenderdine, Sarah, Leith Kin Yip Chan and Jeffrey Shaw: “Pure land: Futures for embodied museography”, in: Journal of Computing and Cultural Heritage, ACM, Vol. 7, No. 2, July 2014, pp. 1 -15.
2013	Kenderdine, Sarah, Leith Kin Yip Chan and Jeffrey Shaw: “Spatial user interface for experiencing mogao caves”, in: SUI 2013 – Proceedings of the ACM Symposium on Spatial User Interaction, 2013, pp. 21-24.
2012	Shaw, Jeffrey: “New-media art and the renewal of the cinematic imaginary”, in: Technoetic Arts: A Journal of Speculative Research, Vol. 10, No. 2/3, 2012, pp. 173-177.
	Kenderdine, Sarah, Jeffrey Shaw, and Tobias Gremmler: “Cultural Data Sculpting: Omnidirectional Visualization for Cultural Datasets”, in: Knowledge Visualization Currents: From Text to Art to Culture, Eds. Marchese, Francis T and Ebad Banissi, Springer-Verlag, London, 2012, pp. 199-220.
	Kenderdine, Sarah and Jeffrey Shaw: “Making UNMAKEABLELOVE: The relocation of theatre”, in: Bastard or Playmate? Adapting Theatre, Mutating Media and Contemporary Performing Arts, Eds. Vanderbeeken, Robrecht, Christel Stalpaert, David Depestel, and Boris Debackere, Amsterdam University Press, Amsterdam, 2012, pp. 102-120.
2011	Shaw, Jeffrey, Sarah Kenderdine, and Roderick Coover: “Re-place: The Embodiment of Virtual Space”, in: Switching Codes: Thinking Through Digital Technology in the Humanities and the Arts, Eds. Bartscherer, Thomas and Roderick Coover, University of Chicago Press, Chicago/London, 2011, pp. 218-237.
	Kenderdine, Sarah, Oscar Kin Chung Au and Jeffrey Shaw: “Cultural data sculpting: Omnispatial visualization for cultural datasets”, in: Proceedings of the International Conference on Information Visualisation, 2011, pp. 570-579.
2009	Kenderdine, Sarah, Jeffrey Shaw, Anita Kocsis: “Dramaturgies of PLACE: evaluation, embodiment and performance in PLACE-Hampi”, in: Proceedings of the International Conference on Advances in Computer Enterntainment Technology, ACE ’09, Eds. ACM Special Interest Group on Computer-Human Interaction, ACM, New York, 2009, pp. 249-256.
	Kenderdine, Sarah, Jeffrey Shaw: “New media in situ: The re-socialisation of public space”, in: International Journal of Arts and Technology, Vol. 2, No. 4, 2009, pp. 258-276.
	Kuchelmeister, Volker, Jeffrey Shaw, Matthew McGinity, Dennis G. Del Favero and Ardrian Hardjono: “Immersive mixed media augmented reality applications and technology”, in: Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), Vol. 5879, 2009, pp. 1112-1118.
	Kenderdine, Sarah, Jeffrey Shaw, Dennis G. Del Favero, Neil Brown: “UNMAKEABLELOVE: Gaming technologies for the cybernetic theatre Re-Actor”, in: ACM International Conference Proceeding Series, 2009, pp. 362-365.
2008	Kenderdine, Sarah, Jeffrey Shaw, Anita Kocsis: “Place-hampi: Co-evolutionary narrative and augmented stereographic panoramas, Vijayanagara, India”, in: New Heritage: New Media and Cultural Heritage, Routledge, London/New York, November 2008, pp. 275-293.
2007	McGinity, M., Shaw, J., Kuchelmeister, V., Hardjono, A. & Del Favero, D.: “AVIE: A Versatile Multi-User Stereo 360° Interactive VR Theatre”, in: Proceedings of the 2007 Workshop on Emerging Displays Technologies: Images and Beyond: the Future of Displays and interaction (San Diego, California, August 04 – 04, 2007), ACM Press, New York, Vol. 252, 2007.
	Del Favero, Dennis, Neil Brown, Jeffrey Shaw, and Peter Weibel: “Experimental Aesthetics and Interactive Narrative”, in: ACUADS conference, UNSW, September 27, 2007.
2006	Shaw, Jeffrey: “Meaningful interfaces in immersive environments”, in: International Conference on Intelligent User Interfaces, Proceedings IUI, Vol. 2006, 2006, pp. 10-11.
2005	Del Favero, Dennis, Neil Brown, Jeffrey Shaw, and Peter Weibel: “T_Visionarium: the aesthetic transcription of televisual databases”, in: »Present Continuous Past[s]« Media Art. Strategies of Presentation, Mediation and Dissemination, Eds. Frohne, Ursula, Mona Schieren, Jean-François Guiton, Springer-Verlag, Wien, 2005, pp. 132-141.
	Del Favero, Dennis, Neil Brown, Jeffrey Shaw, and Peter Weibel: “T_Visionarium: Towards A Dialogic Concept of Digital Narrative”, in: Disappearing Architecture: From Real to Virual to Quantum, Eds. Beigl, Michael, Georg Flachbart, and Peter Weibel, Birkhäuser, Basel/Boston, 2005, pp. 144-151.
2004	Cinemas of the Future, Ed. Castelli, Richard, Lille 2004 Capitale Europeenne de la Culture, 2004, pp. 50-53, 56, 57, 78, 79.
	Shaw, Jeffrey: “Symposium Speech, Future Vision, Kyoto Saga University of Art”, November 2004.
2003	Del Favero, Dennis, Neil Brown, Jeffrey Shaw, and Peter Weibel: “Interactive Narrative as a Multi-Temporal Agency”, in: Future Cinema. The Cinematic Imaginary after Film, Eds. Shaw, Jeffrey and Peter Weibel, ZKM Karlsruhe and MIT Press, Cambridge, Massachusetts, 2003, pp. 312-315.
	Shaw, Jeffrey: “Introduction”, in: Future Cinema. The Cinematic Imaginary after Film, Eds. Shaw, Jeffrey and Peter Weibel, ZKM Karlsruhe and MIT Press, Cambridge, Massachusetts, 2003, pp. 19 – 27.
2002	Shaw, Jeffrey: “Movies after Film – The Digitally Expanded Cinema”, in: New Screen Media: Cinema/art/narrative, Eds. Rieser, Martin and Andrea Zapp, ZKM Karlsruhe and British Film Institute, London, 2002, pp. 268-275.
	Shaw, Jeffrey: “Medienkünstler müssen gute Netzwerker sein”, in: Web of Life. Die Kunst vernetzt zu leben (Web of Life. Linking Art and Science), Ed. Gleich, Michael, Hoffmann und Campe, Hamburg, 2002, pp. 288-295.
2001	Shaw, Jeffrey: “The Legible City. 1988 – 1991”, in: Im Buchstabenfeld. Die Zukunft der Literatur, Eds. Weibel, Peter, Neue Galerie Graz, Graz, 2001, pp. 387-398.
2000	Shaw, Jeffrey: “Media Art and Interactive Cinema”, in: Screen-Based Art, Series of Philosophy of Art Theory, Vol. 15, Eds. Balkema, Annette W. and Henk Slager, Lier en Boog, Amsterdam, 2000, pp. 148-156.
1999	Shaw, Jeffrey: “Interactive Computer Graphics: a Meeting Between Artists and Scientists”, in: Art and Society, Topical questions: the new technologies, funding and artistis education, UN Educational, Scientific and Cultural Organization, Paris, 1999, pp. 87-91.
1998	Shaw, Jeffrey: “Convergence of Art, Science and Technology?”, in: Art@science, Eds. Sommerer , Christa and Laurent Mignonneau, Springer, 1998, pp. 162-166.
1997	Shaw, Jeffrey: “The Dis-Embodied Re-Embodied Body”, in: New Ideas in Science and Art, Final Acts of the Prague Conference 19-23.11.1996, Council of Europe, Strasbourg, France, 1997, pp. 50-56.
1996	Shaw, Jeffrey: “Der entkörperte und wiederverkörperte Leib”, in: Kunstforum. Die Zukunft des Körpers I, Vol. 132, November 1995-Januar 1996, pp. 168-171.
1994	Shaw, Jeffrey: “Presentation at Metafort”, September 1994.
1993	Shaw, Jeffrey: “Modalities of Interactivity and Virtuality”, in: Artistic Exchange. Akten des XXVIII. Internationalen Kongresses für Kunstgeschichte Berlin, 15.-20. Juli 1992, Ed. Gaehtgens, Thomas W., Akademie Verlag, Berlin, 1993, pp. 295-300.
	Shaw, Jeffrey: “Section F Introduction, Interface II 1993”, February 1993.
	Shaw, Jeffrey: “Virtuelle Räume im Reich der Sinne”, in: Kultur und Technik im 21. Jahrhundert, Eds. Kaiser, Gert, Dirk Matejovski, and Jutta Fedrowitz, Campus Verlag, Frankfurt/New York, 1993, pp. 329-334.
	Shaw, Jeffrey: “Reisen in virtuelle Realitaten”, in: Cyberspace. Zum medialen Gesamtkunstwerk, Eds. Rötzer, Florian and Peter Weibel, Boer, München, 1993, pp. 317-332.
	Shaw, Jeffrey: “Modalities of Interactivity and Virtuality”, in: Scan+. Electronic Media Arts, Ed. Conomos, John, Vol. 4, 1993, pp. 19-20.
	Shaw, Jeffrey: “Jeffrey Shaw on Jeffrey Shaw”, in: InterCommunication ’93: Media Passage, Ed. InterCommunication Center, Tokyo, 1993, pp. 24-41.
	Shaw, Jeffrey: “Interactivity”, circa 1993.
1992	Shaw, Jeffrey: “Virtual Reality: A new medium for the artist?”, in: Virtual Reality International 92, Impacts and Applications, Ed. Feldman, Tony, Meckler, London, 1992, pp. 65-68.
1990	Shaw, Jeffrey: “Sketches for a Manual of Interactivity”, circa 1990.
	Shaw, Jeffrey: “Interactive Theatre”, circa 1990.
1991	Shaw, Jeffrey: “Le Musée Virtuel”, in: Art press spécial: Nouvelles Technologies un Art sans Modele?, Art Press, Paris, No. 12, 1991, p. 175.
1988	Shaw, Jeffrey and Tjebbe van Tijen: “Un Musée Imaginaire de la Revolution”, in: Mediamatic, Vol. 2, No. 4, 1988.
1987	Shaw, Jeffrey: “Surveillance”, 1987.
	Shaw, Jeffrey: “Artist Statement”, circa 1987.
1986	Shaw, Jeffrey: “The Narrative Landscape”, in: Museumsjournal, No. 6, Spring 1986, pp. 64-65.
1985	Shaw, Jeffrey: “Computer Graphics”, 1985.
1984	Shaw, Jeffrey: “Concerning Heaven, Hell and Earthly Delights”, 1984.
1980	Eventstructure Research Group: “Art and Technology: some Notes on Our Position at the Present Time”, 1980.
	Stichting Current Image: “Concept for the Stichting Current Image”, 1980.
	Eventstructure Research Group: “Stichting Stroombeeld: Concept”, 1980.
1974	“Eventstructure Research Group”, in: Mewspaper, Royal College of Art, No. 22, April-May 1974, pp. 3-4.
1972	Botschuiver, Theo, Jeffrey Shaw: “Eventstructures”, in: Proceedings: International Symposium on Pneumatic Structures, Ed. Stichting P.D.O.B., Delft Universitity of Technology, Delft, The Netherlands, 1972.
1971	Botschuiver, Theo, Jeffrey Shaw: “Withdrawal”, circa 1971.
1970	“Tube over the Maschsee”, in: Studio International, Vol. 180, No. 928, December 1970, p. 253.
	Eventstructure Research Group: “Artist Statement”, circa 1970.
	“Events”, in: Architectural Design, May 1970, p. 226.
1969	Botschuiver, Theo, Jeffrey Shaw: “Eventstructure Research Group”, in: Studio International, Vol. 178, No. 916, November 1969, p. 183.
	Botschuiver, Theo, Jeffrey Shaw and Sean Wellesley-Miller: “Concepts for an Operational Art”, in: Art and Artists, No. 10, January 1969, pp. 47-49.
1968	Botschuiver, Theo, Jeffrey Shaw and Sean Wellesley-Miller: “Structure Gonflables et Participation”, in: RHOBO, Spring 1968.
	Shaw, Jeffrey: “Manifesto for Hornsey College of Art”, 1968.
1966	Shaw, Jeffrey: “Expressive Character”, circa 1966.